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Women in Mathematics by
Mathematicians, science historians, and general readers will find this book a lively history; women will find it a reminder of a proud tradition and a challenge to take their rightful place in academic life today. The colorful lives of these women, who often traveled in the most avant-garde circles of their day, are presented in fascinating detail. The obstacles and censures that were also a part of their lives are a sobering reminder of the bias against women still present in this and other fields of academic endeavor. Mathematicians, science historians, and general readers will find this book a lively history; women will find it a reminder of a proud tradition and a challenge to take their rightful place in academic life today.
Black Women of the Harlem Renaissance Era by
The Harlem Renaissance is considered one of the most significant periods of creative and intellectual expression for African Americans. Beginning as early as 1914 and lasting into the 1940s, this era saw individuals reject the stereotypes of African Americans and confront the racist, social, political, and economic ideas that denied them citizenship and access to the American Dream. While the majority of recognized literary and artistic contributors to this period were black males, African American women were also key contributors. Black Women of the Harlem Renaissance Era profiles the most important figures of this cultural and intellectual movement. Highlighting the accomplishments of black women who sought to create positive change after the end of WWI, this reference work includes representatives not only from the literary scene but also: -Activists -Actresses -Artists -Educators -Entrepreneurs -Musicians -Political leaders -Scholars By acknowledging the women who played vital--if not always recognized--roles in this movement, this book shows how their participation helped set the stage for the continued transformation of the black community well into the 1960s. To fully realize the breadth of these contributions, editors Lean'tin L. Bracks and Jessie Carney Smith have assembled profiles written by a number of accomplished academics and historians from across the country. As such, Black Women of the Harlem Renaissance Era will be of interest to scholars of women's studies, African American studies, and cultural history, as well as students and anyone wishing to learn more about the women of this important era.
Native American Women Writers by
This collective biography contains biographical material & literary criticism on such Native American poets & novelists as Paula Gunn Allen, Louise Erdrich, Joy Harjo, E. Pauline Johnson, & Mourning Dove.
Concise Dictionary of Women Artists by
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Stealing the Show by
In the past, few women artists were commissioned to create public works of art. These seven artists received most of the commissions awarded to women between 1958 and 1988, although until now their sizable body of work has been given little attention. Taking into account the purpose of public art - to enhance the environment and communicate with a public often perplexed and sometimes alienated by works of art - Gunda Lambton assesses the appeal and quality of commissioned works by these artists. She highlights the difficulties that many women artists encounter and combines detailed biographies of the artists with an examination of their work. This book will appeal to those interested in art as well as to art historians, urban historians, women's studies specialists, and policy makers.