Mexican American History

With contributions from a wide array of scholars and activists, including leading Chicana feminists from the period, this groundbreaking anthology is the first collection of scholarly essays and testimonios that focuses on Chicana organizing, activism, and leadership in the movement years. The essays in Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era demonstrate how Chicanas enacted a new kind of politica at the intersection of race, class, gender, and sexuality, and developed innovative concepts, tactics, and methodologies that in turn generated new theories, art forms, organizational spaces, and strategies of alliance. These are the technologies of resistance documented in Chicana Movidas, a volume that brings together critical biographies of Chicana activists and their bodies of work; essays that focus on understudied organizations, mobilizations, regions, and subjects; examinations of emergent Chicana archives and the politics of collection; and scholarly approaches that challenge the temporal, political, heteronormative, and spatial limits of established Chicano movement narratives. Charting the rise of a field of knowledge that crosses the boundaries of Chicano studies, feminist theory, and queer theory, Chicana Movidas: New Narratives of Activisim and Feminism in the Movement Era offers a transgenerational perspective on the intellectual and political legacies of early Chicana feminism.

This is the companion volume to the critically acclaimed, four-part documentary series of the same title, which is now available on video from the Corporation for Public Broadcasting.

Beginning with the early 1800s and extending to the modern era, Rosales collects illuminating documents that shed light on the Mexican-American quest for life, liberty, and justice. Documents include petitions, correspondence, government reports, political proclamations, newspaper items, congressional testimony, memoirs, and even international treaties.

An intersectional history of the shared struggle for African American and Latinx civil rightsSpanning more than two hundred years, An African American and Latinx History of the United Statesis a revolutionary, politically charged narrative history arguing that the "Global South" was crucial to the development of America as we know it. Ortiz challenges the notion of westward progress, as exalted by widely taught formulations such as "manifest destiny" and "Jacksonian democracy," and shows how placing African American, Latinx, and Indigenous voices unapologetically front and center transforms American history into the story of the working class organizing against imperialism.In precise detail, Ortiz traces this untold history from the Jim Crow-esque racial segregation of the Southwest, the rise and violent fall of a powerful tradition of Mexican labor organizing in the twentieth century, to May 1, 2006, International Workers? Day, when migrant laborers-Chicana/os, Afro-Cubanos, and immigrants from nearly every continent on earth-united in resistance on the first "Day Without Immigrants."Incisive and timely, An African American and Latinx History of the United Statesis a bottom-up history told from the viewpoint of African American and Latinx activists and revealing the radically different ways people of the diaspora addressed issues still plaguing the United States today.

Ruben C. Cordova traces the history of Con Safo, one of the earliest and most significant of the Chicano art groups, from 1968, when it formed as El Grupo, to the mid-1970s, when Con Safo gradually disbanded. Founded by Felipe Reyes, the original group was made up of six San Antonio artists. The fluxuating membership over the decade of the group's existence included Mel Casas, Jose Esquivel, Rudy Treviño, and Roberto Ríos. Although the structure of the original group changed, its mission did not: Con Safo defined possibilities for Chicano art at a time when Chicano culture was largely invisible. Cordova's painstaking research, which included extensive archival work and interviews with group members and activists, resolves many of the contradictions and fills in many of the gaps that exist in earlier accounts of the group. Con Safo: The Chicano Art Group and the Politics of South Texas is an important resource for anyone interested in Chicano art and Chicano history. The book concludes with reproductions of original documents related to the group, including Casas's "Brown Paper Report."